Romanesque
The creation of the universe, religious mysteries, monsters and geometric or flower designs are the favourite subjects of painters, sculptors and architects in the Middle Ages. There is a tight bond between the Romanesque style of architecture (known as Norman architecture in England) and a sense of religiousness. Examples of this style can still be seen in those places of worship that remained untouched by Gothic influences, and were not disfigured by the majestic developments of the Baroque.
The monuments to the Romanesque style are to be found along the “Via Francigena”, or the old pilgrim trail which crossed the Alps from France and passed through the Susa valley into Italy. Other such routes led to St. James of Compostela and even as far as Jerusalem. In the early Middle Ages, to embark upon a pilgrimage at least once in a lifetime was proof of a Christian’s faith and a sign of respect for the profound spirituality typical of the times. It is still possible to trace the route today, as it winds its way along mountain paths, through valleys and across plains. The great religious institutions become artistic treasures thanks also to the beauty of the surroundings in which they stand, and their air of quiet meditation. Two of the most interesting sites in Piedmont are the Sacra di San Michele, the magnificent tenth-century abbey that stands guard over the Susa valley, and the eighth-century abbey at Novalesa.

Another exceptional example of Romanesque architecture is the abbey of Staffarda, a few kilometres from Saluzzo in the province of Cuneo. Then, beyond the hills and vineyards of Monferrato lies Asti. Here the presence of Romanesque architecture is amazing and can be found in masterpieces such as the Crypt of Sant’Anastasio, the abbeys of Vezzolano at Albugnano, San Lorenzo at Montiglio, and San Secondo at Cortazzone. To the south-east in the province of Alessandria, there are the sanctuaries of the Madonna della Fonte at Felizzano and Santa Giustina at Sezzadio, one of the most important in the whole of Piedmont. To the north are the rice fields, vineyards, castles and uncontaminated natural beauties which surround Vercelli, with the basilica of St. Andrew, and Novara, with the nearby abbey of San Nazzaro Sesia. The journey into Romanesque architecture ends at the Castle of Massazza, once a typical mediaeval defensive settlement which was transformed into a castle around the year 1000.
[Indietro]
[Indietro]
Places
Biblioteca Reale di Torino
The Biblioteca Reale (Royal Library) houses important collections of manuscripts, illuminated manuscripts, and engravings. Besides its 2,000 drawings, it has several drawings by Leonard Da Vinci, among which are: the Self-Portrait, the Volto dell’Angelo (the Angel’s Face), the preliminary drawing for the Vergine delle Rocce (Virgin of the Rocks), and the Codice sul Volo (Codex on the Flight of Birds).
Sacro Monte di Crea
Built at the end of the 1500’s, the Sacro Monte di Crea has 23 chapels and 5 hermitages scattered throughout the woods and connected to each other by paths. The chapels narrate the life of the Virgin Mary and house extraordinary life-size statuary groups.
Castello di Costigliole d’Asti
Surrounded by a large park, the castle houses an international cooking school and the annual “asta del Barbera” (“Barbera auction”) which has become a not-to-miss event for fans of quality wine.
[Indietro]
People
Luciana Littizzetto
"I like living in Toino. It has a singular beat. The accent is an important source of inspiration: it’s slow, deliberate, not suited for funny moments, but if it’s natural and not affected, it works and makes you laugh."
Cristina Tardito
"Torino is a somber and very refined city that knows how to combine the ancient splendor of Palazzo Madama with the modern rush of the Olympic sites. I would like to take foreigners out on a Torino bar hop or take them out on the Po in a canoe."
Daria Bignardi
“… Torino is more beautiful than Milan by now and more contemporary that Rome. It is a living example of a city that “is doable” if one knows how. The people of Torino are very blessed because they knew how to spend the money for the Olympics to beautify their city: Milano and its Expo should go to the Mole and take notes”.
[Indietro]


